| Ascendo System Z – Follow Up |
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Love at First Sight |
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Key
Kim
April 2004 |

I recently moved up the audio food
chain. After my follow-up review of the Tact Audio
M2150 digital amplifier, I bought the review sample
and then upgraded my Classé Omega preamp to the Tact
RCS 2.2x digital room correction preamp. But my
upgrade madness didn’t stop there, because I also had
a bug for a new reference speaker. My eyes were
squarely set on the Ascendo System Z. Months later,
that quest came to fruition thanks to Jurgen Scheuring
of Ascendo.
I had encountered the Ascendo System Z last year when
I visited our esteemed Publisher, Clement Perry with
my buddy Leon Rivkin. It didn’t take long to realize
that the System Z was something special, not just good
but emotionally compelling.
With Jurgen’s assistance, I was sent a pair System Zs
only months after hearing them at Clement’s. When they
finally arrived I wasted no time getting them into my
system. I placed the speakers 9’ apart, 9 ½’ from my
chair, and 40” from the back wall. The transducers
were toed-in slightly in the 16’ x 19’ x 8 ¼’ living
room of my Manhattan apartment (Clement’s room is 17’
x 21 x 8, very close to mine. Using similar
electronics, you can guess my expectations were high).
The recommended System Z cable hookup is bi-wire, so I
used two sets of 8’ runs of the remarkable Analysis
Plus Golden Oval speaker cable between my M2150 and
the System Z. The Golden Oval cables sound more
organic and more musical than other cables that I’ve
tried and compared them against. Rounding out the
system of course was the TacT RCS 2.2x.
I’ve been rewarding myself with these system upgrades
thanks to my understanding wife, Yuny. I know I’m a
fortunate guy since she enjoys and appreciates music
as much as I do. If your better half doesn’t
appreciate music it can be very painful to a
relationship as this hobby can be extremely costly.
And bear in mind that the System Zs are very, very
expensive at $25K. So understanding or not, I really
had to sweet talk Yuny into this one even though she’s
a music lover herself. In fact, she’s an accomplished
pianist who came to New York City to study at
Julliard. Also, her father is a no-holds-barred
audiophile. This is a big plus!
I was extremely anxious to experience the magic that I
had heard in Clement’s room when I visited him last
year. I couldn’t wait another minute! I settled into
my listening chair, a cup of java in one hand and my
remote control in the other. I put CD after CD into my
Sony SCD 777ES (used solely as a transport), and the
sound was just as musical as I remembered it at
Clement’s; never sounding fatiguing to the ears. I
could see that I was in big trouble as I immediately
started thinking of how I was going to talk Yuny into
letting me buy them.
The system synergy was incredible from top to bottom,
smooth and seamless. Thanks to the RCS 2.2X, the walls
in my room disappeared and I was transported to a
concert hall type experience. I was convinced that the
TacT 2.2x/2150 combo brought everything into better
perspective, smoother and closer to the sound of live
music. I am now certain that room correction via the
digital highway is the only way to go for this
audiophile.
The System Z loudspeaker is the most musical
loudspeaker I’ve ever heard. The musical connection
via zeros and ones to this audiophile’s heart proved
revelatory. As I listened to one of my favorite discs,
Dvorak’s Concerto for Cello and Orchestra in B
minor, op. 104 [DG 413 819-2] performed by the
master, Mstislav Rostropovich and the maestro, Herbert
Von Karajan conducting Berliner Philharmoniker, I
experienced a sound unlike anything I’ve heard before
in my quaint listening space. It was natural, closer
to life because the Ascendos
created a huge, seamless soundstage, removing their
physical locale. This loudspeaker's
reproduction of the cello and the full orchestra were
among the best I’ve heard and certainly
are for their price. Rostropovich took center
stage, well in the front of the orchestra. The
orchestra itself remained behind Rostropovich in a
deep and wide soundstage. This wasn’t possible with my
previous reference, the Aerial Acoustics 10T. The
10T’s presentation was smaller and had less space
between the instruments. With the System Z, the
stage’s outer reaches were better reproduced as well,
painted with sharper, more vivid lines and textures.
The System Z’s ribbon tweeter was sweet, natural, fast
and transparent. Female voices had an ethereal clarity
and transparency, but they also had weight and
solidity. Grieg’s Peer Gynt [Philips 411 038-2]
sounded so incredibly lifelike it was spooky and the
presentation was transparent. Elly Ameling’s voice
floated in a realistic space within the soundstage as
if she were present. Her voice had a rich, natural,
holographic sense of realism and body, without any
coloration. The system Z’s speed was able to transport
her voice from soft to high notes instantaneously and
naturally with plenty of air and a total absence of
grain. As good as the Talon Khorus Xs are, they simply
can’t compare. This doesn’t mean that the Talon isn’t
a fine speaker. It’s just that the System Z is a
superb loudspeaker. The Talons projected the sound,
making it almost intrusive by comparison. I agree with
Clement, when in his review, he states, “It’s not
that I find the Talon’s presentation offensive by
comparison-that’s just the way Talon voices their
sound". In
my setup the Ascendo System Z reveals enormous
amounts of information on every
disc, extracting more music from the recording while
drawing the listener in and allowing him or her to be
more emotionally involved.
Living with the System Z for several months has
brought me closer to live music than ever before. It’s
a first-class loudspeaker with innovative design and
built-in quality that is second to none, in my
opinion. This is the most musical loudspeaker I’ve
heard to date. The System Z’s magic exists from top to
bottom, throughout its musical range. By any measure,
the Ascendo System Z is a keeper. My yearning for a
breakthrough loudspeaker has finally been realized. If
you’re looking for a truly natural-sounding, musical
loudspeaker, the Ascendo System Z should be your top
priority list.
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Specifications
Type: Three-way S.A.S.B. technology built
on modular construction
Size: Loudspeaker 11" W × 61"
H × 13 " D; Stand 15" W
× 51" H × 23" D
Weight: 250 lbs. (242 lbs. without sand
filled stand)
Impedance: 5 Ohms.
Sensitivity 87 dB 1W/m
Features:
High Frequency Unit:
One High Frequency Ribbon Tweeter (with
toggle -switch for high and low damping-factor
of amplifiers).
Low Frequency Unit:
One 8-inch SEAS midrange driver with phase
plug
One 8-inch Kevlar bass driver loaded into
enclosure with SASB technology (with toggle
switch for high and low damping-factor of
amplifiers).
Finish: Black Piano
Price: $25,500 |
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