| Mourning
a Rock Legend |
| John
Alec Entwistle |
| Greg
Weaver |
|
29 June
2002 |
John Alec
Entwistle, bassist for
the British rock band
The Who, died
yesterday of an apparent
heart attack at the Hard
Rock Hotel and Casino in
Las Vegas, just one day
before a planned US
tour. Mr. Entwistle was
57 years old.
Though an autopsy is
scheduled for later
today, as no official
cause of death has been
determined, Clark County
Coroner Ron Flud did say
"we are not
investigating this as a
criminal case." There
were no signs of drugs
or alcohol in his room.
Arguably the most
influential bass player
in rock and roll, Mr.
Entwistle was born on
October 9, 1944 in the
London suburb of
Chiswick. At age 15, he
and fellow schoolmate
and guitarist Pete
Townshend connected to
start their first band
together, The
Confederates in 1959.
Soon
after, in 1962, Mr.
Entwistle was asked by
guitarist/vocalist Roger
Daltry to enroll in his
band at the time, The
Detours, and Pete
Townshend soon followed.
When drummer Keith Moon
was added to the mix in
1964, they first became
know as The Who,
though for a 4 month
period of that year they
changed their name to
The High Numbers.
Mr. Entwistle recorded
solo as well as with
The Who as early as
1971 and continued to
perform with John
Entwistle’s Ox and
Rigor Mortis
after The Who
officially disbanded in
1983.
Playing what they called
“Maximum R and B,” rock
and roll derivative of
blues and soul, Mr.
Entwistle was the eye of
the hurricane that was
The Who on stage.
While Keith Moon
assaulted his drum kit,
occasionally bashing it
into a shambles, Pete
Townshend flailed away
at his guitar, often
smashing it to pieces at
a performance’s
conclusion and Roger
Daltry strutted and
whirled his microphone
on its cable tether like
an airplane propeller,
Mr. Entwistle stood
quietly at stage left.
Amid the onstage chaos
of one of the most
influential British
Invasion bands of the
Sixties, Mr. Entwistle
was the anchor, known
for some of the most
complex and audible bass
guitar work of the rock
genre.
His
most notable
contributions to The
Who’s long list of
standards include such
favorites as “Boris the
Spider” and “My Wife.”

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