| The
StereoTimes
Most
Wanted
Components
- 2001 |
|
| Greg
Weaver |
| 1
July
2001 |
As I
look through the
other contributor’s
choices, I was
stunned to see so
few analog
components - which
brings me to my
first selection.
Someone has to
correct that
oversight! ;-D
Oracle
Delphi turntable
$3,200
Having listened to
vinyl since the
early 60’s, I find
it amazing that to
this day a good
analog set up still
easily bests the
best digital has to
offer. In terms of
dimensionality,
musical warmth,
conveyance of
emotion and sheer
sense of reality,
the CD comes in only
a close second.
The
Oracle Delphi,
besides being one of
the most
aesthetically
pleasing pieces of
audio equipment ever
created, has an
uncanny ability to
release the truth
from the modulated
grooves that it is
asked to spin. They
are relatively easy
to set up (by
comparison to some
other popular
brands) and offer an
enormous degree of
resolve and detail.
I spent the
seventies following
the dogma of Ivor
Tiefenbraun and
Linn, and the
eighties and
nineties listening
to it. After years
of loving the Delphi
from afar, I bought
one. Needless to
say, I should have
done so when I first
heart the revelation
they afforded. The
Delphi is without
doubt one of the
finest values in our
industry today.
Perpetual
Technologies
P-1A/P-3A combo
$2656
Necessories - the
Monolithic P3 Power
supply and ModWright
Upgrades.
Remember I said that
digital was a close
second? Only a few
digital rigs have
come close enough,
and then only
recently, for me to
proclaim that the
performance gap
between digital and
analog playback has
been significantly
closed. This
extremely affordable
dynamic digital duo,
with the upgraded
power supply and
deft modifications
by Dan Wright,
rivals the best
digital sound
available today -
period. Mark
Schifter and Peter
Madnick have done it
again. Exquisite
retrieval of detail,
superb extension –
at both extremes,
glorious truth of
timbre, exhilarating
dynamics, utter
transparency and a
marvelous balance of
presentation make
this the
digital rig to own.
Take it from someone
who has heard a
$37,000 digital
front end – you’re
wasting your money
elsewhere.
Von
Schweikert Audio
VR-4 Generation III
Loudspeakers -
$3999
Guess what? Uncle
Albert has done it
again! Few speakers
have created as much
press as the VR-4,
in all its
iterations. Having
listened extensively
to the original
version, and lived
with the Gen II’s
for the last three
years, I wasn’t
expecting such a
wholesale
improvement as they
offer. As astounding
as those earlier
model’s were in
there time, the
maestro has outdone
himself with the Gen
III. World class
bass, near flawless
balance, a delicate
yet wonderfully
articulate top end,
a midrange purity
that approaches
perfection, an
ability to image and
stage that will
astound – this is
as close to heaven
as you can get for
$4000 – or even
twice that. Don’t
worry; I have a full
review in the works.
ClearAudio
Virtuoso Mk II
Moving Magnet
Cartridge $850
When you’ve played
with as many
cartridges as a
vinyl freak and
reviewer like me
has, you tend to get
jaded. And just when
you think you’ve
seen everything,
something comes
along to breath hope
back into you. Enter
the ClearAudio
Virtuoso Mk II. I
must admit to having
been seduced by the
remarkable detail
and micro dynamic
traits of the moving
coil designs. I had
thought that –
when all else was
equal – they would
consistently best
their moving magnet
brethren.
Not
so any longer. The
ClearAudio Virtuoso
Mk II is fast,
clean, detailed,
smooth and superbly
balanced. I have yet
to hear another cart
in my system with
the octave-to-octave
balance of the
Virtuoso. There is a
"seamlessness"
of timbre that is
completely unlike
anything I’ve
heard from any of
the moving coils in
my experience. It is
very neutral
and extremely
musical. It offers a
degree of inner
detail and micro
dynamic shading I’ve
only found
previously from
moving coil designs
and never
from another moving
coil. It is both
engaging and
truthful, not necessarily
a forgone conclusion
with even the
priciest of
cartridges. It is
articulate and
resolute without
being clinical or
etched. It offers
remarkable extension
at both frequency
extremes and superb
control over them
both. It is neither
particularly forward
nor recessed in its
presentation. Most
importantly, it
offers a mastery of
tonal balance unlike
anything I’ve ever
before experienced
under $2,500. In
short, the
ClearAudio Virtuoso
Mk II is one of the
finest sounding
cartridges I’ve
had the pleasure to
hear, regardless of
design or price.
Indispensable!
Okay,
I’ll get off my
analog soapbox –
for now!
  
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