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Analogue
AUDIO INTELLIGENT RECORD CLEANING
SOLUTIONS
[Ready-To-Use Enzymatic Formula - 32
oz., $20; Ready-To-Use Super Vinyl
Cleaner- 32 oz., $20; Ultra-Pure Water
- 32 oz., $10]: Well, admittedly, this
award winner isn't a "component" in the
technical sense, but under the proper
conditions it provides a sonic
improvement equivalent to a component
upgrade. Paul Frumkin's three-step
vinyl cleaning system, to these ears
and after 12 years of experimenting
with various solutions and RCMs, is the
best I have tried and easily the most
effective at cleaning the grungiest of
records. This three-step (you can
reduce it to a two step process if you
are so inclined without much, if any,
penalty) record cleaning system helps
me get the best from my LPs on a
consistent basis. Starting with the
enzymatic formula, this step of the
process is, in this author's opinion,
what sets the AI process apart from the
competition as it is designed to remove
the most stubborn deposits that most
one step solutions (and most two step
solutions I have tried), simply fail to
remove. These deposits range from
bacteria and other organic substances
but also silicone from mold release
compounds. The second step utilizes the
alcohol based Vinyl Cleaner designed to
remove any deposits left behind by the
Enzymatic formula and the optional
third step is an Ultra Pure Water
rinse. Combined with my reference
Loricraft record cleaning machine, the
Audio Intelligent solutions has proven
itself to be the best cleaning system I
have tried to date (and I have tried
most) and, on most LPs, gave me a
quieter blacker background, less pops
and ticks as well as improved dynamics.
Add to that, the fact that it is
reasonably priced and you have an audio
bargain of the highest magnitude [Frank
Peraino].
_________
The Cartridge Man MusicMaker III Phono
Cartridge:
Leonard Gregory’s long and illustrious
career in phono cartridge design
reaches Masterpiece level with the
third iteration of his
variable-reluctance MusicMaker
cartridge. Hand-built from a Grado
Signature body, the $995 MusicMaker is
literally named, shaming cartridges at
three times its price. Moving magnet
phono loading allows easy phono stage
matching. The Musicmaker gets directly
to the heart of music, transparently
communicating all its techniques,
devices, and aesthetic worth. A
Masterpiece for music lovers [Paul
Szabady].
_________

The Origin Live Conqueror Tonearm:
Mark Baker’s [photo above] new $3995
arm reaches a new pinnacle, even
compared to the superb Illustrious arm
which won last year’s Most Wanted
Component Award. Rhythmic expression
and coherence surpasses any arm
available. Effortless rendering of fine
detail and dynamics with a natural and
organic portrayal that transcends the
mechanical basis of the LP medium.
Reveals the best of any phono cartridge
but will also reveals its limitations,
so logically, best partnered with the
best of phono cartridges and phono
stages. Review in progress [Paul
Szabady].
____________
Amplification
Almarro Audio A50125A Integrated
Amplifier
($2,995) Prior to listening to the
Almarro integrated amplifier, I had not
been a big fan of integrated
amplifiers. When this vacuum tube based
unit is partnered with speakers it can
drive, the palpable midrange presence
and holographic imaging made me change
my mind in a hurry. In conversations
I’ve had with the folks at the Almarro,
the unit is even more improved in it’s
ability to deliver bass into stiffer
loads and drive a wider range of
speakers. A follow up is soon to come
so stay tuned.
_________
Editor's Choice!
Classe Audio CP 500 Preamp
($3,500): World-class design and
construction and a ton of features make
this beauty worth its price tag alone.
But factor in the excellent level of
musicality and you have a rare bargain
among the audio elite. A phono card is
on the horizon that could make this one
of the most well–rounded preamps
available [DT].
_________
Berendsen
Audio STA 150 SE/PRE 1 SE
($3,4895/$1,895): This solid-state
150-watt power amp and preamp from Sven
Berendsen of Moers, Germany, are some
of the better sounding pieces of
high-end audio within the five to six
thousand dollar price range. Extremely
well built and handmade in small
numbers, these products have an
understated elegance and do a very good
job of allowing the music to be the
focal point. The midrange is clear,
open and liquid, and the frequency
extremes are transparently presented
with plenty of detail.
Though new to
these shores, Berendsen has been
designing high-quality audio products
for over fifteen years. I found that
the overall presentation of recorded
music with this equipment offered a
wonderful listening experience that was
on par with much more expensive
equipment. These products are among the
better bargains in high-end audio and
it won't be long before Berendsen
becomes an audiophile household name.
[Craig Fitzpatrick]
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