| The
BetterCables
Silver
Serpent
and
Straight
Wire
Silverlink
II |
|
|
Milan
Cernohorsky |
|
9
April 2002 |
Specifications
0.5m
BetterCables
Silver Serpent -
$69.95
8AWG Solid Silver
- clad copper
center conductor
Nitrogen injected
Foam HDPE
Insulation
Dual shield (100
percent foil, 95
percent braid)
75-ohm nominal
impedance with
Impedance-matched
RCA or BNC
connectors
Capacitance (16.2
pF per Ft.)
0.5m
Straight Wire
Silverlink II -
$49.95
Silver-plated OFHC
copper conductors
Foam polyethylene
dielectric, double
shielded
Address:
Better Cables LLC
PMB 170
43761 Parkhurst
Plaza # 108
Ashburn, VA 20147
1-877-433-7039
Website http://www.bettercables.com
Straight
Wire
Website http://www.straightwire.com/
E-mail: info@straightwire.com
After
several preceding
tests of
loudspeaker cables
and connecting
cables, I dared to
try to discern the
difference of
sound in two
different types of
digital connecting
cables. The
Straight Wire
Silverlink II had
been in my system
for some time
connected between
my Kenwood DP-5090
transport and the
Perpetual
Technologies P3-A
DAC. After
speaking with the
Better Cables
Company and Mrs.
Margaret, they
very quickly sent
me their
full-silver model
called the Silver
Serpent.
Better
Cables Silver
Serpent
The
extraordinary
facility to
differentiate
details, not only
in middle band but
also in the bass
area, is the most
impressive
advantage of
reproduction with
this attractively
designed product
by Better Cables.
The treble has a
very pleasant
character - free
from any sharpness
or uncomfortable
graining. Even the
most exposed
positions in the
voices of Patricia
Barber or Rachelle
Ferrell are
without any trace
of hiss. When I
listened to live
recordings from
organist Joey
DeFrancesco, the
space of the
concert hall and
resolution of the
instruments were
excellent. The
bass is compact
and exactly
controlled. I also
listened to
recordings that
could be found in
collections of
audio lovers. I am
fond of the works
of Astor Piazzolla.
The high-quality
recording of his
famous "Maria
de Buenos
Aires" from Tango
Operita [Teldec
3984-20632-2],
only confirmed the
quality of the
Silver Serpent.
Space and sound of
the individual
instruments are
reproduced in such
exactitude and
easiness that I
have to claim that
the Silver Serpent
is really the
cable. The
masterful
instrument of
fiddler demon
Gidon Kremer
sounds very
natural, as the
violin really
should sound. The
reproduction of
the Argentinean
Bandoneon, in fact
a kind of
accordion, was
also a great
experience for me.
When compared to
the classic
instrument, its
sound is more
colorful. During
testing, the
bright vocals of
Julia Zenko and
Jair from this
recording are
usually a hard nut
to crack. However,
their reproduction
with Silver
Serpent cable
managed them
brilliantly. This
cable mainly
impressed me with
its tonal balance
on all frequencies
across the
spectrum. Highs,
midrange as well
as the women
vocals all lost
their 'digital'
character. This is
what I have found
as most appealing
with this cable.
Straight
Wire Silverlink II
Space
and performance of
the tiniest
details are very
good. This was
confirmed by
listening to the
work of the
outstanding
organist Joey
DeFrancesco Joey
Live at the Spot
[Sony/Columbia
CK53805]. The
sound of his
Hammond XB3 pushes
me down into my
easy chair. From
the other side of
stage, Jack McDuff,
another prodigious
organist assists
him substantially.
I consider this
live concert album
to be one of the
best for verifying
spatial
reproduction
capabilities of
various audio
systems. The
spatial character
was reproduced
very convincingly.
The
Silverlink II was
not frightened
with classical
electrical blues.
Listening to the
album Have
Mercy!
[Alligator AL
4845] by guitarist
Michael Hill, I
noted very good
reproduction of
percussion
instruments and
bass guitar. The
massive, precisely
defined portions
of blues sound
from this band
were driving me
into a feeling of
slight
inebriation. The
precisely
reproduced female
vocals of Patricia
Barber from her
album Nightclub
[Premonition
Records 27290]
gave me the truth:
this cable is
excellent. I must
admit that my
system doesn't
render high
frequencies as
accurately and
that a grain of
sharpness was
occasionally
noted. It was
marginal, but was
noticeable from
time to time
nevertheless. The
Silverlink II will
appeal to
listeners who
prefer greater
openness and
vividness in the
higher regions of
the audio
spectrum.
Comparison:
It is relatively
difficult to find
any significant
differences
between these two
digital cables and
thereby determine
an order of
preference. They
are both excellent
products selling
for very
affordable prices.
The individual
cables have such
slight sound
differences that
the selection is
rather a question
of personal taste.
However, if I had
do decide on one
of them, I would
slightly prefer
the Silver Serpent
by Better Cables.
Simply put, this
cable reproduces
all music genres
in an excellent
way and its
spatial recreation
seems to be a bit
better. The
Silverlink II by
Straight Wire is
quite comparable
both in sound and
outstanding
design.
I
wish I could
compare both
products to a real
reference class
cable, but haven't
had such an
opportunity yet.
You should
therefore think of
this review as a
contest between
two high quality,
yet very
affordable
products. From my
experience, I have
learned that with
many of the
high-end cables,
price doesn't
always correlate
with their actual
performance. In my
system I have been
using the Trico
cable to connect
my DAC to my power
amplifier. This
high quality
digital cable from
the Swedish
manufacturer SUPRA
certainly doesn't
belong to a class
of over-priced
high-end, yet it
keeps up well with
both overseas
candidates. You
shall here about
SUPRA again. I can
also promise you
that I will be
happy to extend
this profile, as
soon as a real
"killer"
digital cable
arrives in my
possession.

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