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2006 Rocky Mountain Audio Fest
Page 2
Kill'em with
kindness!

Star Sound
Techonologies AKA Audiopoints showed their
Caravelle ($5k) mini-monitors which performed
nothing short of remarkable considering their
size. Supported by their Model 100 mono
amplifiers and all Virtual Dynamic cabling and
Wadia digital as a source, the sound was
particularly expansive, rich and detailed all
at once. Star Sound's new iso-rack under the
loudspeakers are said to have added tremendous
sonic gains to the already fab Caravelles. Robert Maicks,
head guru and chief bottle-washer was mostly
outside manning sales (thanks for tee-shirts)
while Rick Schultz of Virtual Dynamics
entertained the rest of us.
We went from the small to the sublime....



If
anyone out there is half as familiar with what
the Soundlabs are capable of, then you ought
to know by just one glimpse of this photo to
fully understand what this room sounded like
using three 8'8" Soundlab Majestic
electrostats side by side powered by Pass
Electronics mono amps via Kimber Kable
(there's Ray Kimber posing 'til closing). The
sound was so effortless and utterly life-like
that it took me back to my visitation at the
home of John Yves in the South of France last
Fall (photo above right). Yves boasts simply
the greatest system these ears have EVER heard
period.
In both setups similarities abound.
For one, look at the size of both these
loudspeakers, the room they reside in and
maybe this serves as a clue as to why space
always matters (Yves'
room was simply humongous). I think we all have a
little soundstage freak in us but in many
cases we're forced to close
our eyes and imagine being in a room as
expansive as here. Combine this feature with
the greatest sense of ease, transparency and
effortless flow that offers few rivals and you
might get a glimpse of what I heard there in
Denver. The sound
was so overwhelming and I was so unprepared,
that I left the room and returned only once to
make sure I wasn't dreaming. It's a sound
that for 99% of us is simply unobtainable. Yeah, maybe one
day...until then keep on dreaming.
Speaking of
which....

MK Audio of
northern New Jersey showed for the first time
their Analysis Audio Amphitryon loudspeakers.
These, their largest model planar loudspeaker
($24k), put on some show here with the Joule
Electra Rites of Passage mono amplifiers. I've
got to make my way back over to hear these at
the home of the importer because I simply am
too intrigued by what I heard however brief.
To say the sound was organic, sweet, ultra
smooth and yet detailed would be a gross
understatement. Planar and tubes go together
like Batman and Robin.

With a starting
price of just $995, PS Audio's newest Digital
Link III DAC (left) and the Trio A-100 power
amp (right) sounded dynamic and controlled
despite their miniaturized appearance.
Boasting a hefty 150 watts per side I would
have to say the room sounded a lot bigger than
these little dynamic duos. I've their newest
product in the PS Audio Harvesters and must
say they're really as good as the company
boasts, maybe better. Stay tuned for our
upcoming review.
Art of Noise...

Advanced Ribbon
Technologies demonstrated their newest Metro
Ribbon Hybrid Loudspeaker ($6,900 assembled or
$4,900 for kit). At less than two thousandths
of an inch thick the A.R.T .7 ribbon is
assembled in the Metro incorporates over
twelve pounds of magnetic material, all of
which is concentrated on a narrow plane to
drive the ribbon diaphragm that measures 20
square inches in surface area. Why they're not
on stands gets me but the North Acoustics
Kitty Kat Revelator ($2,500) monitors were in
the room just awaiting to get a chance to
strut their stuff. As many of you are aware
I'm always curious to see how new products
using planar or ribbons perform and I was not
disappointed listing to the new Metros. Smooth
and ultra-transparent while quite open
considering their narrow window. Keep an eye
out for this hybrid that appears destined for
greater things.
Lower the
masses....

That's what
Thiel says makes their new drivers look, well,
sort of unusual in the new CS3.7 loudspeakers
($8k). The tweeter in the new CS3.7 employs
five neodymium magnets to drive its motor
assembly. The 10" woofers also sporting their
new "ribbed" contoured geometry that Thiel
says makes it much more rigid than aluminum
and thus more pistonic in motion. Sensitivity
is a remarkable 90 dB at 4 Ohms (for a Thiel,
that's quite an improvement). All I'll say is
driven by nearly all VTL rig, minus the
Marantz CD drive, the sound was quite
impressive. Though, room limitations abound,
the sound was crystal clear with a warmth that
had my tube love affair rise again.
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