Craig’s Show Report Part 2


Although the rooms that were mentioned in the first part of my show report had very good presentation, the rooms I’m going to tell you about now demonstrated even more remarkable sound and deserve the designation, “Best Rooms” that I heard at the shows. But once again bear in mind that due to the separation of the two high-end venues, there were a lot of other rooms at both locations that I didn’t get a chance to visit.

Bel Canto


        
 

If I were passing out individual honors for the best sounding room with the most affordable electronics, the award would easily go to Bel Canto Design. Founder and lead designer, John Stronzer was using his e.One Ref 1000 monoblocks ($3,990/pr), Pre3 preamp ($1,995.00), and CD-1 CD player ($4,995). Cables were also by Bel Canto and to complete the presentation he was using a pair of TAD driver based Pioneer S-1EX loudspeakers ($9,000.00). This was one of the more musical rooms that I encountered where the total price of the electronics was in the ten thousand dollar price range. Dynamics were compelling with a liquid midrange and the upper frequencies had excellent extension. Just goes to show that you don’t need to take out a home equity loan to own high quality high-end audio electronics.
 

Halcro/Vivid

      


The Halcro/Vivid Audio/ Crystal Cable room was another outstanding place to listen to music. The Halcro DM38 Stereo amp ($19,490) and DM10 preamp ($17,490) were connected to the Vivid Audio B1 loudspeakers ($14,000). All of the cabling was the Crystal Cable Ultra series. This was a really nice sounding room that was constantly packed with attendees. The music was rich, with vocals having a lifelike presence, and the soundstage was deep and wide. An interesting feature of the Crystal Cable speaker cables are the detachable links. On each end of the cables is a screw-on attachment similar to a detachable head shell on a tonearm. This allows the user to change from spades to bananas without sending the cable back to be re-terminated. According to Mrs. Gabi van der Kley, the founder and CEO of Crystal Cable, this enhancement will not affect the cable sonically and doesn’t have any measurable effects. Collectively all of the components in this room sounded fantastic but I hope to bring you some more details about the Crystal Cables in the near future.

Esoteric

       

Some great new sounding products could be found at the Esoteric suite. There were two rooms on display: In the smaller room Esoteric was demonstrating their new set of entry level components the SA-10 SACD/CD player ($3,500.00) and the AI-10 class D integrated amp with A/D converter and Master Clock Generator ($4,000.00). Also in the same room Esoteric introduced their own set of loudspeakers, the floor standing MG-20 ($9,200.00) and the book shelf MG-10 ($5,500.00). The new loudspeakers are designed by Esoteric and manufactured jointly with Tannoy Ltd. of the U.K. Esoteric is the first to use an all-magnesium driver. The sound coming from this room was clean, transparent and musical. In the larger room Esoteric was showing off the upgraded X-01 Limited ($14,100.00) and UX-3 Special Edition ($8,600.00) CD players along with their top-of-the-line P-01 ($25,000.00) and D-01 mono-block D/A converter. Using the Wilson Audio Sophia II the sound was very liquid and captivating.

Respons

       

It was good to see the return of Respons Loudspeakers from Gothenburg, Sweden. I first remember hearing the Respons Grand during the old Summer CES in Chicago back in the 1980’s with the Jeff Rowland Design Group model Seven’s. This year at T.H.E. Show, they demoed a new edition to their loudspeaker line, the Grand D ($26,000.00). All electronics were Audio Research Reference series; Reference 210 monoblocks ($20,000.00), Reference 3 vacuum tube preamplifier ($9,995.00) and Reference 7 vacuum tube CD player ($9,995.00). Cabling was provided by Transparent Audio Marketing and the speaker was sitting on Sonic Design damping feet. Vocals were portrayed with palpable presence and the overall presentation sounded very natural. Bass was powerful and the Grand Ds excelled on selections that called for a transition from soft to loud passages. Hopefully the Respons Grand’s will make a permanent return to U.S. shores because this was one spectacular sounding display.

Vitus Audio

        

Another favorite suite and one of the best sounding rooms at the Venetian was the Vitus Audio room. They used a red book only CD player, the SCD-010 ($12,000 - $15,000) connected to the Vitus SS-010 25 watt Class-A integrated amplifier ($12,000 - $15,000). The speakers were the Focus Audio Master 2.5 ($18,590) speakers. These are three-way jet black beauties that weigh 150 pounds apiece and have a frequency range of 20Hz – 25kHz. Cabling is the excellent sounding Vitus Andromeda. One of the keys to the amplifiers’ success is the huge transformer. The sound is very detailed without a hint of brightness, all the while being very relaxed and tube like in the midrange but with a solid low end that was tight and powerful despite the low wattage.

Genesis
       
       

Gary Koh of Genesis Advanced Technologies was all smiles with his new generation of series 5 loudspeaker, the Genesis Advanced Technologies 5.3 ($16,000). A major design feature was incorporated into the loudspeakers that allows for the use of moderate power, inexpensive, tube amplifiers by raising the impedance levels. He was using his own set of Genesis Advanced Technologies M60 monoblocks ($3,995/pr). The other components consisted of a FM Acoustics 255 preamplifier ($38,000.00) and a modified Esoteric DV-50 by Allen Wright. Everything sat nice and neat on a Spectral furniture rack from Germany courtesy of Brian Tucker of ProAudio of Barrington, Illinois. Interconnects were provided by FM Acoustics and the speaker cables were also from Genesis. These are also some of the more flexible and accommodating loudspeakers because the Genesis Advanced Technologies 5.3 comes supplied with an internal amplifier for the bass modules which allows the user to use his or her choice of amplification for the midrange and tweeter drivers. I was all smiles too because I played a number of discs in the room and I was amazed at the performance. I stopped back twice to confirm what I heard the first time and in my book this was just a notch away from the best room at the show. The high end performance produced from these loudspeakers was the best that I heard at the show. The midrange and bass performance was also astonishing and an added bonus allows the owner to adjust the sound levels of the midrange and tweeter drivers. The music filled the room and I was totally enamored by the sound. The GAT 5.3’s are one of best buys in high end audio.

Isophon

        

But if I had to choose an absolute “best sound at the show,” in my opinion it would be heard coming from the Isophon suite. This was also the most expensive room on my list. Last year, the Cassiano’s ($25,000.00) received quite a bit of positive publicity, but this year we were introduced to its bigger brother, the Arabba ($50,000.00). All the drivers are sourced from Accuton including the diamond tweeter. Amplification and source components are from the same vendor, Western Electric. The amps were the Western Electric Type 97-A 300b tube monoblocks ($85,000.00 per pair) and the dual mono Type 117-B ($12,000.00) tube preamp with separate power supply. The CD player was the Western Electric Type 203-c with a tube output stage ($3,750.00). FISCH Audiotechnik power cords and power strips were also used. Listening to music in the Isophon room was like sitting in the second row of my favorite jazz club and hearing a straight-ahead jazz quartet. The sound was so three-dimensional it was like being engulfed by a lifelike wave of streaming music. Nothing can replace the emotional experience like being at a live event, but this is certainly a worthy substitute.

There were also a number of rooms that I didn’t get a chance to hear in detail that deserve to be mentioned like the Nagra/ Verity Audio suite and the Magico Loudspeakers room. But all in all it was a good show and I can’t wait until next year.

Craig Fitzpatrick

        

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